Essays on not drinking

You have asked me, Lucilius, why, if a Providence rules the world, it still happens that many evils befall good men. This would be more fittingly answered in a coherent work designed to prove that a Providence does preside over the universe, and that God concerns himself with us. But since it is your wish that a part be severed from the whole, and that I refute a single objection while the main question is left untouched, I shall do so; the task is not difficult, - I shall be pleading the cause of the gods. Even the phenomena which seem irregular and undetermined - I mean showers and clouds, the stroke of crashing thunderbolts and the fires that belch from the riven peaks of mountains, tremors of the quaking ground, and the other disturbances which the turbulent element in nature sets in motion about the earth, these, no matter how suddenly they occur, do not happen without a reason; nay, they also are the result of special eauses, and so, in like manner, are those things which seem miraculous by reason of the incongruous situations in which they are beheld, such as warm waters in the midst of the sea- waves,and the expanses of new islands that spring up in the wide ocean.

Essays on not drinking

Representations of Kingship and Power in Shakespeare's Second Tetralogy Amanda Mabillard Since it is impossible to know Shakespeare's attitudes, beliefs, and play writing methodology, we can only present hypotheses, based upon textual evidence, regarding his authorial intention and the underlying didactic message found in the second tetralogy of history plays.

In constructing his history plays, Shakespeare most likely relied upon the Chronicles of Froissart, and, primarily, Holinshed, but he altered and embellished the material found in these sources. Through an examination of both the plays and Shakespeare's sources, we see that many of the changes are implemented to promote a deliberate political philosophy.

The plays make the statement that the best possible ruler must be both anointed and politically shrewd. A monarch's license to rule is not based simply on his or her divine right of succession, but also on his or her ability to shoulder the responsibility that comes with being divinely appointed — to lead the people wisely, placing the welfare of the nation above personal desire.

This philosophy seems to be a combination of Tudor and Machiavellian theories on the nature of kingship and power.

Essays on not drinking

Moreover, it is possible that this didactic message linking all four history plays in the second tetralogy was constructed as a reaction to the succession problem and the potentiality that Elizabeth and her council might choose an heir lacking in one or both of these areas.

Thus, the plays, to a large extent, can be read as a collective guide to help Elizabeth select the next ruler of England. In order to assess the credibility of the argument that the plays contain the didactic message that a ruler needs the combination of divine right and leadership qualities, we must examine the three main characters, Richard II, Henry IV, and Henry V, as found in the chronicles and in the plays.

The historical events of Richard's reign are kept in sequence and no significant changes are made to his character. However, it is the small and subtle changes to the chronicles that so effectively reshape the focus of the play from a simple report on history, to a dramatic lesson on the responsibilities of monarchs.

Many of the embellishments Shakespeare makes to the information he found in Holinshed's Chronicles are directed towards stressing and reaffirming Richard's status as a divinely sanctioned king.

The first and most striking example is the way the character of Gaunt changes. Shakespeare's portrayal of Gaunt is one of the few instances where he dramatically alters the source material of Holinshed1. In the Chronicles, Gaunt is a disorderly and rapacious magnate. However, in Richard II, Gaunt is the voice of reason, wisdom, and, above all, patriotism.

It is likely that Shakespeare relied on the Chronicle of Froissart for his characterization of Gaunt. The following passage from Froissart's Chronicle shows the similarities: The duke of Lancastre was sore dyspleased in his mind to se the kynge his nephewe mysse use himselfe in dyvers thynges as he dyd.

He consydred the tyme to come lyke a sage prince, and somtyme sayd to suche as he trusted best: Our nephue the kynge of Englande wyll shame all or he cease: The Frenchman are right subtyle; for one myschiefe that falleth amonge us, they wolde it were ten, for otherwise they canne nat recover their dommages, nor come to their ententes, but by our owne means and dyscorde betwene ourselfe.

And we se dayly that all realmes devyded are destroyed. John Froissart, Chronicles [London: In these passages from Froissart is a Gaunt who greatly resembles Shakespeare's character, but Shakespeare further enhances Gaunt's patriotism and loyalty to the king in order to place the emphasis on Richard's divine right to rule.

In many of his speeches in the play, Gaunt emphatically expounds the importance of the Divine Right of Kings.

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Gaunt knows Richard was an accomplice in the murder of Gloucester, but still he refuses to support any action that would put Richard's crown at risk: To stir against the butchers of his life! But since correction lieth in those hands Which made the fault that we cannot correct, Put we our quarrel to the will of heaven.

I, ii, God's is the quarrel; for God's substitute, His deputy anointed in His sight, Hath caused his death; the which is wrongfully, Let heaven revenge; for I may never lift An angry arm against His minister.

Essays on not drinking

I, ii, Protecting Richard's position as God's vicegerent is extremely important to Gaunt. For whatever crimes Richard has committed, it is the responsibility of God alone, not Richard's subjects, to judge and punish him for his offenses.

Gaunt's condemnation of disobedience to Richard because of Richard's divine right to the crown exemplifies the Tudor political thought of the sixteenth century. The Tudors adopted the theory of the Divine Right of Kings in the attempt to maintain a strong government, and to counter the Papal authority as the state attempted to break away from the church.

The theory became the foremost doctrine of the time regarding the nature of kingship, and rests on four main statements: The vehicles for the expression of Tudor propaganda were usually homilies and sermons. It declares the following: It is intolerable ignorance, madness, and wickedness for subjects to make any murmuring, rebellion or insurrection against their most dear and most dread sovereign Lord and King, ordained and appointed by God's goodness for their commodity, peace, and quietness.

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As quoted in B. Joseph, Shakespeare's Eden [London: God hath sent us a noble king in this his visitation; let us not provoke against him.Underage Drinking Essay.

The Dangers of Underage Drinking. Words | 4 Pages. and would not have the responsibility to drink. If teens drink a certain amount of alcohol it could be lethal by alcohol poisoning. “Alcohol can enter the blood stream; binge drinkers can ingest a fatal dose of alcohol before passing out.” (“Binge Drinking Can.

The Disgrace Of David Lurie - Not the most graceful of solutions, but then ageing is not a graceful business.”(9) David is plagued by failure in his life, two failed marriages, and book that he hasn’t even started and holds on to it because he thinks he has misplaced his passion for writing.

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I attended a . Edgar Allan Poe's "The Cask of Amontillado" "The Cask of Amontillado," which first appeared in Godey's Lady's Book in , is a classic example of the use of an unreliable narrator.

Montresor tells his tale of revenge smugly, as he invites the reader to applaud his cleverness much like the narrator of "The Tell-Tale Heart." By telling the story from Montresor's point of view, Poe forces the. A comprehensive, coeducational Catholic High school Diocese of Wollongong - Albion Park Act Justly, love tenderly and walk humbly with your God Micah

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