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Production[ edit ] The director of photography for Seconds was James Wong Howewho pioneered novel techniques in black-and-white cinematography, and whose career spanned nearly five decades. He was nominated for an Oscar at the 39th Academy Awards for his work on the film.
Seconds was Frankenheimer and Howe's last film in black-and-white. Rock Hudson was five inches taller than his movie counterpart, John Randolph; the difference in their heights was worked around with carefully chosen camera angles.
Hudson and Randolph also spent a good deal of time together before production began, allowing Hudson to model Randolph's mannerisms, to resemble him more closely.
The depiction of Hamilton's plastic surgery includes several shots of an actual rhinoplasty operation. Director John Frankenheimer made several of these shots himself after the cameraman fainted. The DVD includes Abandonment essays deleted from the American theatrical Abandonment essays depicting nude revelers at a wine festival.
Frankenheimer had also intended to restore a scene in which the transformed Hamilton visits his daughter, but the footage could not be found. The scenes in Tony Wilson's Malibu beach house were shot in Frankenheimer's own home.
In order to shoot in Grand Central Station without attracting too much attention, Frankenheimer hired a male model and a Playboy bunny to make-out on the stairs while being filmed by a fake crew.
This distraction allowed the real crew to shoot with a camera in a suitcase. The opening titles were designed by Saul Bass[8] using Helvetica set in white over optically warped black-and-white motion picture photography.
Historical context[ edit ] John Frankenheimer directed Seconds just after the period during which he worked on his most notable films, Birdman of AlcatrazThe Manchurian Candidateand Seven Days in May These last two films together with Seconds are sometimes known as Frankenheimer's paranoia trilogy.
It did poorly on its initial release, [14] but has since become a cult classic. Once Rock appears, though, the spell is shattered, and through no fault of his own. Instead of honestly exploring the ordeal of assuming a second identity, the script subsides for nearly an hour into conventional Hollywood fantasy.
But for its soft and flabby midsection, it might have been one of the trimmest shockers of the year. Rotten Tomatoes' consensus reads: Even as it exposes the folly of selfishly abandoning one's commitments, it also makes a passionate case for following one's heart and rejecting conformity This chilling portrayal of a well-meaning guy stuck in a Kafkaesque nightmare is unlike anything else he [ Rock Hudson ] did.Flight Behavior: A Novel.
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Oh look, it is the seventeenth anniversary of an event in lower Manhattan, with some associated events which still dominated news cycles, days later. INTRODUCTION. The special subject of the greater part of the letters and essays of Schiller contained in this volume is Aesthetics; and before passing to any remarks on his treatment of the subject it will be useful to offer a few observations on the nature of this topic, and on its treatment by the philosophical spirit of different ages.
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Books: Cicero's De Officiis, Seneca's Moral Essays and Moral Epistles, Plutarch's Lives, Montaigne's Essays. Why French police, in its biggest operation since May 68, is prepared to kill for Macron’s neoliberal nightmare — and how the ZAD fought back.
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